Hello. In today's lesson, we'll examine the process of shooting a multi-camera video in Premiere Pro. Shooting a video with more than one camera provides more editing options, because you can cut away to another angle to cover a dialogue cut for example. When shooting live performances or events that cannot be repeated, having multiple cameras covering the action is essential to lending interest and providing backup. Today there are many types of video cameras that can be placed anywhere in the scene to cover the action, smartphones, small action cameras such as a GoPro, drone cameras, are all being used in videos today. In general, though, the coverage between two people in a scene or an interview setup should not cross an imaginary 180 degree line to a reverse angle, because it will appear in editing that the subjects have switched places. When covering an event or performance, ideally you will have enough cameras to cover a wide shot, a medium shot, and a closeup throughout. Of course, additional camera angles can be obtained. Really the only limit is how many cameras you have available and can be monitored. Of course, the more cameras you have, the more clips and layers of video that you have. And that may tax your computer's processing power and disk space. Premier currently has no specific multi-camera limit. You should also bear in mind that different camera models and types, and even some lens choices will affect the color rendition. And you will need to match the color of the cameras in post-production. As you can see here, all three cameras look different. So, including a set of standardized measured color patches, like the ColorChecker Passport in the first shot from each camera will help speed that process. We'll examine matching cameras later. Whether or not the camera's audio will be used in your final edit, the camera should record it anyway as it will aid in synchronizing that sound with other cameras and the preferred audio track. Using a slate or a hand clap to aid in synchronization is recommended. All cameras once rolling, should ideally record this slate or hand clap at the beginning of the take or start of the event. Some cameras also allow for synchronization of time code, but that's generally only available in high-end video cameras not DSLR or mirrorless cameras. As with any high quality production, a separate sound recording done by a professional technician using good microphones and mixers is very important. Poor sound quality will make your video more unwatchable than poor image quality. If you have a crew monitoring cameras, you should also have sound technicians as well. In this lesson, we have reviewed some details of shooting a multi-camera video.